We’re back on air, and it seems like a lot has changed already. Obama has already made the world a little freer, while elsewhere the situation has become a little worse than we can bear. Er, sorry, I mean worse than we can bear. Yet let’s distract ourselves from these depressing matters of worldwide importance, and concentrate on something slightly more aesthetic.
The Oscars are on their way! The nominations were published last week, which means we can all start feverishly debating the most important questions. Who will wear the most ridiculous clothing? Which selection of irritating celebrities will be the most cringeworthily unfunny in presenting an award? Who will cry the most in their acceptance speech? (my money’s on Mickey Rourke for that one…)
This year there is an increased furore over the Oscars, due to Britain’s weeping sensation being in line for a few accolades. So I’m determined not tdo what I usually end up doing, and miss out on half the fun by not having seen most of the films involved. I often find myself being regaled by my relentlessly passionate film student housemate about the travesty of No Country for Old Men beating There Will be Blood last year, and am only able to respond by meekly bleating “yes” and hoping he’ll move on to something I do have an opinion about, like pubs with expensive beer. (It’s a crime!)
So this year, I’m resolving to change that by actually watching every film nominated for Best Picture. That consists, for those of you unable to follow a link, of The Curious Case of Benjamin Button, Frost/Nixon, Milk, Slumdog Millionaire and The Reader. Then, I will make my pronouncement as to who will win the Oscar, and be proved entirely wrong on the night. So it goes. Will I be able to watch them all in time? We’ll see…
(ok, so I may have already watched one of them, but let’s pretend I haven’t because that makes things more interesting)
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NEWSFLASH
There is one other cinematic task that I am determined to accomplish. It is a difficult one, that requires a near-superhuman amount of stamina. Could it be an in-depth comparison of The Accused and Irreversible? A close analysis of 50 Cent’s filmography? Let me give you a clue…

That’s right: at some point in the next 25 days, I am going to watch High School Musical. I just can’t put it off any longer: too many people are obsessed with it, and I can’t justify slagging it off as I usually do if I haven’t actually seen it. To be honest, though, I am more scared of watching this film than any other I can remember (well, maybe except The Orphanage, but let’s be honest, that bastard should come with a health warning). What if… I like it? My horror at the prospect of destroying my carefully cultivated aura of avant-garde hyperintelligence with a slew of life-affirming songs and cheerleading dances is too great to contemplate. Soon, I’ll be facing my fears.


